{"id":7165,"date":"2021-08-16T12:40:50","date_gmt":"2021-08-16T10:40:50","guid":{"rendered":"https:\/\/alt2.klangforum.at\/kalender\/lausitz-festival-schwellenzauber\/"},"modified":"2021-08-20T14:25:41","modified_gmt":"2021-08-20T12:25:41","slug":"lausitz-festival-schwellenzauber","status":"publish","type":"tribe_events","link":"https:\/\/alt2.klangforum.at\/en\/kalender\/lausitz-festival-schwellenzauber\/","title":{"rendered":"Lausitz Festival, Schwellenzauber"},"content":{"rendered":"

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Giacinto Scelsi<\/strong>
\u2013 Okanagon Hf, Cb, Perc<\/p>\n

Georges Aperghis<\/strong>
\u2013 Ruinen\u00a0<\/p>\n

G\u00e9rard Grisey<\/strong>
\u2013 Quatre chants pour franchir le seuil\u00a0<\/p>\n

Conductor: Sylvain Cambreling
Posaune: Mikael Rudolfsson<\/p>\n

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The microtonal music of Giacinto Scelsi, the spectral music of
Gerard Grisey and the sounds of Georges Aperghis create it
Overtone spectrum aesthetically and let us swell in the
perceiving and transcending music. Scelsis \u00bbOkanagon\u00ab (1968)
bears the poetic subtitle \u00bbThe Heartbeat of the Earth\u00ab, Aperghis’ \u00bbRuins\u00ab (1994) lets the past become audible and Grisey’s last work, \u00bbQuatre chants pour franchir le seuil\u00ab (1998) allows four times a threshold to be crossed in the title, which in sensually exciting new sound spaces.
Text: Lausitz Festival<\/p>\n<\/div>\n<\/div>\n

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