{"id":3245,"date":"2020-10-26T20:43:44","date_gmt":"2020-10-26T19:43:44","guid":{"rendered":"http:\/\/klangforum.at\/projects\/aperghis-archiv-projekte\/"},"modified":"2020-10-26T20:43:54","modified_gmt":"2020-10-26T19:43:54","slug":"aperghis-archiv-projekte","status":"publish","type":"page","link":"https:\/\/alt2.klangforum.at\/en\/projects\/aperghis-archiv-projekte\/","title":{"rendered":"Aperghis Archiv Projekte"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: #ffffff;background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:98.8%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div ><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\"><img width=\"640\" height=\"367\" title=\"Donaueschinger Musiktage 2013\" src=\"https:\/\/alt2.klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd.jpg\" data-orig-src=\"http:\/\/klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd.jpg\" class=\"lazyload img-responsive wp-image-2041\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27640%27%20height%3D%27367%27%20viewBox%3D%270%200%20640%20367%27%3E%3Crect%20width%3D%27640%27%20height%3D%27367%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/alt2.klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd-200x115.jpg 200w, https:\/\/alt2.klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd-400x229.jpg 400w, https:\/\/alt2.klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd-600x344.jpg 600w, https:\/\/alt2.klangforum.at\/wp-content\/uploads\/2020\/09\/situations-pferd.jpg 640w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 800px) 100vw, 640px\" \/><\/span><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><\/div><style type=\"text\/css\">@media only screen and (max-width:1540px) {.fusion-title.fusion-title-1{margin-top:10px!important; margin-right:0px!important;margin-bottom:15px!important;margin-left:0px!important;}}@media only screen and (max-width:800px) {.fusion-title.fusion-title-1{margin-top:10px!important; margin-right:0px!important;margin-bottom:10px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-one fusion-animated\" style=\"margin-top:10px;margin-right:0px;margin-bottom:15px;margin-left:0px;\" data-animationType=\"slideInLeft\" data-animationDuration=\"0.6\" data-animationOffset=\"100%\"><div class=\"title-sep-container title-sep-container-left\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><h1 class=\"title-heading-right fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:60;line-height:1.16;\"><h2><span class=\"artist\">Georges Aperghis <br \/>\u2014 Situations, une convivialit\u00e9 musicale<\/span><\/h2><\/h1><div class=\"title-sep-container title-sep-container-right fusion-no-large-visibility fusion-no-medium-visibility fusion-no-small-visibility\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1540px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:800px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-section-separator section-separator bigtriangle fusion-section-separator-1\"><div class=\"fusion-section-separator-svg\" style=\"padding:0;\"><svg class=\"fusion-big-triangle-candy\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" width=\"100%\" height=\"100\" viewBox=\"0 0 100 100\" preserveAspectRatio=\"none\" style=\"fill:#f6f6f6;padding:0;\"><path d=\"M0 -1 L25 100 L101 -1 Z\"><\/path><\/svg><\/div><div class=\"fusion-section-separator-spacer\"><div class=\"fusion-section-separator-spacer-height\" style=\"height:99px;\"><\/div><\/div><style type=\"text\/css\">.fusion-section-separator-1 .fusion-section-separator-svg {margin-left:1.92%;margin-right:1.92%;}@media only screen and (max-width:1540px) {.fusion-section-separator-1 .fusion-section-separator-svg {margin-left:1.92%;margin-right:1.92%;}}@media only screen and (max-width:800px) {.fusion-section-separator-1 .fusion-section-separator-svg {margin-left:1.92%;margin-right:1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-1{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1540px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:800px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_3 1_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><\/div><div class=\"fusion-text fusion-text-1 fusion-animated\" style=\"color:#0a8cf4;\" data-animationType=\"slideInLeft\" data-animationDuration=\"0.6\" data-animationOffset=\"100%\"><p style=\"text-align: left\"><em> <\/em><\/p>\n<p style=\"text-align: left\"><em> <\/em><\/p>\n<p style=\"text-align: left\"><em> <\/em><\/p>\n<p style=\"text-align: left\"><em>I often think of an acrobat who balances from one tightrope to another or jumps and regains his balance at the last moment. I\u2019m looking for this kind of fragility, this kind of danger.<\/em><\/p>\n<p><em>&#8211; Georges Aperghis<br \/>\n<\/em><\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-2{width:33.333333333333% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-2 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 5.76%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 5.76%;}@media only screen and (max-width:1540px) {.fusion-body .fusion-builder-column-2{width:33.333333333333% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 5.76%;margin-left : 5.76%;}}@media only screen and (max-width:800px) {.fusion-body .fusion-builder-column-2{width:100% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-2\"><p>The term convivium, which is threatened with extinction, is used by Georges Aperghis as the name for his great new work which he created between the beginning of 2012 and the summer of 2013 and which has been tailor-made for the 24 musicians of Klangforum Wien.<\/p>\n<p>The piece demands a wide stage where the usual orchestral configuration will be interspersed with a colorful mix of easy chairs, assemblies of sofas, floor lamps, bookcases, and dinner tables to create a landscaped interior in which the musicians, in the course of the evening, will team up variously into freely formed groups. Over eighty minutes, the composition will change from stretches of chamber music to passages for soloists and up to groups of eight, verbal comments by individual musicians and also the whole ensemble. Situations is a concert piece, a soir\u00e9e musicale for the 24 musicians of Klangforum Wien. The work takes the form of a triptych: the first part is an ensemble piece, put together by using fragments of diverse color and contrasting contents, which are arranged sequentially or superimposed upon one another so that changing polyphonies are constantly created.<\/p>\n<div class=\"moretext\">\n<p>The work takes the form of a triptych: the first part is an ensemble piece, put together by using fragments of diverse color and contrasting contents, which are arranged sequentially or superimposed upon one another so that changing polyphonies are constantly created.<\/p>\n<p>At the end of the first part, the music becomes seemingly more individual; we are now faced with 24 solo players \u2013 which form the second part of the triptych. It is a mosaic of solo pieces, duets, trios and quartets that either stand by themselves or are performed simultaneously. The musicians move around the stage at will, at times keeping to themselves and playing on their own, or entering into a musical dialogue with others. Some play and sing at the same time, others might pick up a book from which they\u2019ll read a passage aloud. We no longer attend a concert, but participate in a soir\u00e9e where the musicians seem to have forgotten that there is an audience that watches and listens. <\/p>\n<p>This, too, is a fragmentary construct: outlines of the interpreters\u2019 musical portraits merge or answer each other like in a wide-ranging conversation. Those who are currently not playing, listen to their colleagues, either sitting in an easy chair or on a sofa; at times they will participate in the music that evolves at that moment, at others they might comment, or they are simply present as if they were lost in their own thoughts. <\/p>\n<p>This organized chaos gradually becomes more structured and leads to a massive movement which constitutes the third part, an ensemble piece, which refers back to the individual voices we heard in the second part, reinforcing them and allowing them to echo throughout the whole ensemble before the piece culminates in an erratic and piercing tutti.<\/p>\n<p>As you can see, the piece changes shape three times. In the second movement, there appears to be something like an enlargement effect, as if one was approaching the musicians in order to get as close as possible to their personality. Gradually abandoning my original idea of writing a concerto grosso finally led me to this solution. (Georges Aperghis)<\/p>\n<\/div>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-3{width:66.666666666667% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-3 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.88%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 2.88%;}@media only screen and (max-width:1540px) {.fusion-body .fusion-builder-column-3{width:66.666666666667% !important;order : 0;}.fusion-builder-column-3 > .fusion-column-wrapper {margin-right : 2.88%;margin-left : 2.88%;}}@media only screen and (max-width:800px) {.fusion-body .fusion-builder-column-3{width:100% !important;order : 0;}.fusion-builder-column-3 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: #ffffff;background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:98.8%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:360px;align-self:center; 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